Man! It has been ages since I posted anything here. I have been swamped with school. I'm working towards becoming a teacher, with one of the main reasons being so I can write screenplays during the summer.
I've heard it said that screenwriting is a great way to make money but a terrible way to make a living. I actually have no plans of getting rich screenwriting or making a full time career out of it. I just want to do it because I love it! In fact, I think the money trap is one of the nasty pits we all tend to fall into. We all have God given talents but so many of those talents remain dormant because there is a mentality that something is only worth while if it will actually make us a buck. But whatever happened to that child-like sense of adventure we all had when we were kids that made us willing to do something just for the love of it? I'm convinced that some of the best musicians, artists, and writers go undiscovered. But it does not make their work any less meaningful. I happen to believe that what we do we actually do for an audience of one...our Creator, the One who gave us those talents. I think the thrill we feel when we engage in what we love doing is actually us sensing His pleasure.
Recently I was looking back on times when I used various talents I have and recalled how satisfied I was. But when I counted the dollars I made while using those talents it came to a grand total of...zero! In fact, I have found that when I attempted to use my talents to make a buck, the pursuit of money often mutated what I loved doing into something that I despised. For example, I've always enjoyed video production. But I've enjoyed using video to make short movies. When I attempted to turn my talent into a video production business I found myself hating life as I was shooting and editing corporate videos. It wasn't that I was just being picky and insisting on doing things my way, rather, it was that creating corporate videos was such a distortion of what I enjoyed doing that it dried up the creative well within me and turned my love for video production into disdain.
That's not to say that we shouldn't use our talents to make a living. I mean, good grief! We have to eat and have a roof over our heads. But I think a job is a job and we shouldn't look at that as being our only outlet for our talents. I've heard it said that there are two types of people in the workforce: those who live to work and those who work to live. I happen to fall into the category of work to live. My philosophy is, "Love what you do, but don't get your identity from it."
Sunday, April 18, 2010
Monday, October 5, 2009
A Fantastic Movie!
What do you think are some of the best movies ever made? That’s a tough question to answer isn’t it? What I’ve found is that it is not only difficult to answer because we have to think back through all the movies that we’ve seen in our lives, but also because of the biases we carry when watching movies. For example, I am a HUGE Star Wars fan. So when I am asked about which movies are the best ever made, I feel a strong obligation to remain loyal to the Star Wars films. I can’t tell you how hard it was for me when the Lord of the Rings trilogy came out for me to finally admit that I liked them better than Star Wars. Even as I write those words I feel like a traitor for admitting that.
So, if you haven’t seen Amadeus, go see it! And if you have seen it, treat yourself to a second viewing. It’s well worth the time!
Friday, September 18, 2009
Where to begin?
First of all, I’d like to say a big “Thank You!” to everybody for your overwhelming response to this blog. In the first week I’ve had over 60 visitors. Not a bad start! And your kind emails and comments have been a real encouragement. Many of you expressed the desire to see some clips of my old home movies on here. Don’t fret…they’re coming! (And Andy, the transfer is still in the works…hang tight buddy!)
One of the big questions about screenwriting is where on earth does one begin? I think solid characters are the foundation of any good movie. In fact, some movies are completely character driven. This certainly is the case with comedies like Napoleon Dynamite, Nacho Libre and The Breakfast Club and also in dramas like The Big Chill, Driving Miss Daisy, and As Good as it gets. Having solid believable characters that the audience can relate to is crucial. I have seen several movies that had tremendous potential dive bomb simply over the lack of character development. That certainly was the case of the summer movie G.I. Joe. (Okay, it had major story and pacing issues too. What a disappointment! I laughed, I cried, I kissed ten bucks good bye!) So, because of the powerful role solid characters play in a movie, I like to begin the screenwriting process by developing my characters.
This is the phase I’m in now with the screenplay I’m writing. I’m giving my characters a personality. The way I do this is I write down the names of my main characters. Sometimes coming up with a suitable name is a task in its self. Even though Shakespeare wrote that “a rose by any other name is still a rose” I tend to disagree when it comes to screenplays. Somehow I don’t think Darth Vader would have seemed quite as foreboding if his name was Jack Wilson. I can hear him speaking in his deep James Earl Jones Voice saying his memorable line to Obi Wan, “When I left you I was about to learn now I am the master!” To which Obi Wan responds, “Only a master of evil Jack.” For some reason it just doesn’t work for me. So names are important. The internet and baby books are great places to find suitable names. When I wrote 1987 in ninth grade I broke out the phone book. It’s a great source for last names.
After I list the names of my main characters I begin to describe their personalities. I do this by asking my self questions about each character like: what is he/she afraid of? What does he/she desire most? What political views does he/she have? What kind of music does he/she listen to? What successes has he/she had in life? Failures? What kind of car does he/she drive? What kind of car does he/she really want to drive? Then I write the history or back-story of the character up to the point where the story begins. I use the answers to the questions I asked about each character to determine what kind of physical attributes and mannerisms he/she has. For example, a guy that was in a car accident as a kid may have a fear of driving and through out the movie he may always refuse to sit in the front seat. But here’s the real trick to successful characters; when these attributes are plugged into the screenplay, I don’t go spilling the beans about everything right away. That makes for poor character development. How many people do you know with quirks that just come out and say, “I do this because of that…” the moment you meet them? So when characters do that in movies its just plain weak! Watch G.I. Joe for tons of examples of this screenwriting flaw. The trick is to just let the characters do what they do and let your audience be curious. People will be intrigued. And some mannerisms may never be explained…but that only adds to the reality of the character. Theater exit question: What movies have you seen that have excellent character development?
Thursday, September 10, 2009
Taking The Plunge
As Dr. Martin Luther King Jr. once said, "I have a dream!" Only my dream is not nearly as noble as his. My dream is to write screenplays and see them actually become movies. I've carried this dream for a long time. Ever since first grade I've loved the art of entertaining people through storytelling. I used to break out my parents' tape recorder and set it near my record player (remember those things?) and play music as I would begin to perform different voices while recording my own radio dramas. I remember when I got a small portable tape recorder for my ninth birthday, I thought I was really moving up the world! I was able to “take my show on the road” and capture the live sounds of the great outdoors while telling adventure stories of explorers wandering through the deep dark jungles of Brazil or capture the sounds of World War I pilots fighting in the skies over Germany. (I did that by sticking small pieces of cardboard into an electric fan to create the "buzz" sound of the airplanes’ propellers.) Then, in seventh grade my story telling capabilities rose to new heights. It was then that my parents gave me my first video camera. My uncle sold them his old black and white camera and they gave it to me for Christmas. Little did my parents realize the monster they would create.
I became absolutely obsessed with making movies. In fact, the very day I got the camera I sat down and wrote my first movie; a sci-fi called Mofiss. The very next day, my friend Andy (who would be the best-man in my wedding nine years later) came over and we shot our first movie. It was corny and cheesy as can be, but we did it! Andy became my number one actor and movie-making buddy. And why not? He had already been my number one tape recording buddy. It was about time he was promoted into the new technology that was now readily available. Mofiss was such a smashing success (okay, at least the two of us liked it) that we went on to make two sequels. But we didn't stop there. I wrote more scripts that we made into movies. More Sci-Fi’s like 1985 and its confusing sequel 1987, cop movies, like John Book, The King of the Beat, and Biff Man Harry, adventure movies, like Johnny Tarheel, and Mississippi Smith, scary movies like, Beach Front Property House and In The Fog, and historical flicks, like Dark Horse: The Story of James K. Polk; would all find there way from my pen to the TV screen. My cast of actors also grew. Now additional names like James, Jason, Paul, Jennifer (my cousin), David, Ryan, Josh, Nathan, Mickey, Jon, and Sarah (James sister), would all be associated with my "amazing" movies. In fact, screenwriting became such an obsession that I failed math in seventh grade because I spent all my time writing movies rather than doing my homework! (A month spent in summer school fixed that problem.)
But soon I went off to college and got my first job at a TV station. When I met my wife, Lilly, I discovered she shared my love for movies. She would listen intently to all my movie ideas as we took walks together along the beach or through the woods. (Some of the joys of living in Eureka, California.) But as often happens in life, through the rough and tumble of earning a living and making our way through this world, screenwriting took a back-seat. Soon screenwriting was almost completely forgotten. I became another one of those grown-ups that looks upon their biggest dreams as the foolish wishful musings of their youth. Now it's time to face reality and live in the real world!
The real world: you know, that place where you live, but never quite fully? Where everything is gray and the beat of your heart no longer goes "THUMP! THUMP!" Now it goes, "ho, hum." The place where you justify your mediocrity as maturity and your apathy as adulthood.
But you know, the dreams that are in us are the real world! They're what make us alive, what makes us tick, what brings color into our lives. Dreams are what make us real!
Well, recently something in me woke up. I decided it is time to be who God made me to be. I turned around and looked at the dream that I had flung into the back-seat and picked it up once again. I've begun to write my first screenplay in seventeen years. I've written some commercials, training videos, and award winning documentaries over the last several years, but movies, my real passion, went by the way-side. I am simply thrilled beyond words to once again pick up my dream and begin to pursue it.
This blog is my journal of my reawakening to my passion for movies. I’ll record my writing progress, share my thoughts about screenwriting and movies in general, document my successes and failures on this journey as well as review movies just for the fun of it. I hope you’ll come along for the ride with me. I’d love to hear your thoughts along the way.
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